¡¶µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬¡·ÏÂÔØ¸ñʽ½éÉÜ
- µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬¸ßÇåMP4ÏÂÔØ¸ñʽ£º·Ö±æÂÊ640 x 480£¬ÊʺϵçÄÔ¡¢µçÊÓ»ú¡¢Æ½°åµçÄÔ¡¢Æ»¹û¡¢°²×°µÈÖÇÄÜÊÖ»ú
- µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬MP4ÏÂÔØ¸ñʽ£º·Ö±æÂÊ320 x 240£¬»ÖÊÇåÎú£¬Êʺϴó¶àÊýÊÖ»ú¼°ÊýÂëÉ豸
- µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬3gpÏÂÔØ¸ñʽ£º·Ö±æÂÊ320 x 240£¬»ÖÊÇåÎú£¬ÊʺÏËùÓÐÖ§³Ö3gp¸ñʽµÄÊÖ»ú¼¸ÊýÂëÉ豸
- µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬rmvbÏÂÔØ¸ñʽ£º·Ö±æÂÊÒ»°ã´óÓÚ¸ßÇåMP4¸ñʽ£¬³¬¸ßÇå»ÖÊ£¬ÊʺϵçÄÔ¡¢µçÊÓ»ú
- µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬Ñ¸À×ÏÂÔØÃ»ÓÐÁ¬½ÓµÄ»°£¬ÇëʹÓðٶÈÓ°ÒôÏÂÔÔ£¬¿ì²¥Ò²¿ÉÒÔÏÂÔØ¡£
Sokourov, whose Faust won Venice's Golden Lion last year, received $20,000 (€15,000) toward the development of The Louvre Under the Occupation, a feature billed as exploring "the relationship between art and power."
Sokourov knows his way around a museum, having directed the documentary Russian Ark, a dramatization of Russian history set entirely in the Russian State Hermitage Museum and done in one continuous shot.